The same fields that to the eyes of a little boy, born in the second half of the ‘60s, appeared as a treasure chest where there were hidden fruit, berries, flowers and little animals; a real world to discover and to understand in every little detail, but also to fix on a drawing sheet to limti its fugacity.

All this has confirmed Passon as an artist and he has been recognized even Overseas as “pictor optimus” for the skilfulness that his kind of work requires in adherence to reality, which to be represented needs the exercise of some indispensable skills among which there are persistence, will of learning, love for application and study, complete dedication.

Soon Passon turned to oil on canvas experimenting the endless possibilities of colour and the brightness that is characteristic.

Venice, and various compositions) on ready made plates, with the bottom of coloured chalk based on the different pigments that will be then used.  The subsequent texture is then smoothed to obtain an even surface without any unevenness so that the pencil can best trace the signs that will give way to every composition.